During the week before a wedding in the West, various cleansing rituals are performed to help the bride say goodbye to her old life of solitude, and help prepare her to enter the next stage of her life. Throughout the entire process, she is surrounded by her closest female friends and family members. From getting manicures and pedicures, and all around beautified, to the bachelorette party, and ultimately the actual wedding, the bride’s community gathers close to help celebrate the bride’s transition into the realm of marriage. Similarly in Morocco, the purification rituals before the wedding draw the community together in an effort to ease the path for the bride to travel, as she moves on to a new life.
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Symbolic Candles |
On the first day of wedding rituals, the bride and her closest single female friends and family members make their way to the local
hammam for the bath day, which plays a large role in the cleansing of the bride for the next stage of her life, physically and symbolically. Only unmarried females are allowed to attend the
hammam with the bride, as a result of the belief that a married woman’s presence would bring bad luck. During the walk, the bride dons a cloak to protect her from the devil’s eye which may be searching to cause her harm or illness, potentially jeopardizing her fertility. Her female companions surround her, as well, to provide another layer of protection. Once the wedding party arrives at the local
hammam the bride removes her clothes and bathes in a hot, soothing tub. While the bride’s female companions scrub her spotless, she eats the dates and drinks the milk her family has prepared for her, so that she will have a sweet, happy life and be prosperous. This practice, of feeding one’s guest of honor, not only applies to the wedding rituals; common Moroccan hospitality dictates that the host serve their guests some type of beverage, usually mint tea, and sweet snacks to make them feel welcome and at ease. Back in the
hammam, the brides purifies her physical body while her friends light different colored candles around her to help promote certain qualities: white candles to promote purity, yellow for happiness and green for fertility. Throughout the bathing process, the women of the family sing traditional songs to the bride, to create a relaxed atmosphere (Hajji. pg 49).
After the single women of the family have all been cleansed and purified they come together with the married female relatives in the home of the bride for the henna day. Before the henna process begins, the women place milk and sugar in the room to represent fertility and prosperity and they light candles around the room to symbolize a bright future (Kurr). After setting up the room, the henna process can begin. Geometric and floral henna designs are drawn on the hands and feet of the bride, which are the most common for Moroccan brides to have, for, as many traditionalists say, these designs ward off evil spirits, bring good luck and promote fertility (Che Din). While the bride waits for her henna to dry, which could take multiple hours, some of the other younger unmarried girls receive less complicated henna designs. The henna day also serves as the time when the married women of the family give advice and share the secrets of marriage with the bride. Having her close female friends and family around her, the bride can feel more at ease while preparing for her new life.
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Wedding Takchitas |
On the day of the main wedding celebration, the women of the bride’s family help the bride dress in her wedding attire. Just like in Western wedding cultures, the Moroccan bride dresses with her wedding party, so her close friends can keep her calm and her nerves settled before the wedding. In most regions of Morocco, the bride wears a specially made Moroccan dress, a
takchita, composed of two pieces: a simple dress as a first layer, and a more elaborate second layer, often richly adorned with embroidery, beading or sequins, which buttons up the front (Hajji. pg 54). With the help of her female dressing aids, she changes her
takchita up to eight times during the night. There are some regions of Morocco, though, that have their own special wedding attire different than the standard
takchita. For example, Cynthia Becker describes the type of traditional outfit that Ait Khabbash Berber brides, located in the southeast part of Morocco, don on their wedding day. The wedding attire includes a special headdress called an
aabroq and a wool belt. The
aabroq is a red scarf placed fully over thin pillows that are then tied, by one of the bride’s female relatives, to the bride’s head. Another relative rubs the eye area of the scarf with water and some oil to make it thin enough for the bride to see through. The sides of the headdress are then sewn together and bands of sequin trimmed fabric are wrapped around it to bind it together even more tightly. The red color of the
aabroq symbolizes virginal blood, menstrual blood and of the blood of childbirth and the green tassels that hang off it represents female fertility. Becker notes that “the several layers of ties, sashes and silver jewelry that create the bride’s headdress symbolize the containment of her fertility within marriage and protect her during this luminal, in-between stage” (pg 110). Also the red scarf the bride wears completely covers her face in order to create a barrier between her and the outside world and to protect her against the devil’s minions who would try to enter the body and cause illnesses. Another major part of the Ait Khabbash wedding attire is the wool belt. Jurgen Curator’s argument that the belts worn by Islamic brides are tokens of their virginity also holds true for the beliefs of the Ait Khabbash tribe. Becker explains that the wool belt worn by the Ait Khabbash bride relates to fertility and its control within the marriage (pg 112). The dressing process takes a long time due to the intricacies of the wedding outfit, but having the bride’s closest female friends and family with her makes the countdown to the night’s festivities more bearable.
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Moroccan Wedding Feast |
Around nine or ten at night, the whole community, not just the females, comes together to celebrate the marriage of the bride and groom. The festivities are loud and joyful, the air filled with music and the floor crowded with dancing bodies. When the bride arrives she is surrounded by a wall of men to hide her from the view of the crowd until the groom removes her veil (Che Din). Then the men in the groom’s family carry the bride on a special throne like chair, the
lmida, around the room to show her off (Hajji. pg 53). Back on solid ground, the bride and groom greet the various party comers and thank them for their well wishes; their actions are an extension of Moroccan hospitality. Sometime between 11 and 1 all the guests are treated to a delicious Moroccan feast of succulent tagines, vegetables, fruits and, of course, mint tea (Renton). After dinner the merry celebration continues well into the early hours of the morning, sometimes 5 or 6. By the end of the night everyone is worn out but filled to the brim with happiness.
The morning after the wedding night and after the exhibition of virginity is executed, both sides of the family gather together to eat a celebratory breakfast, called
l’flour. The breakfast marks the end of the wedding week, and celebrates the new marriage (Hajji. pg 58). The light and cheery atmosphere at the breakfast table results from relief over the successful completion of the wedding process, and over the confirmed virginity of the bride. Moroccan weddings would not be successful without the aid and support of the entire community.